United States
I’m No Longer Here allows the heart to overpower technique, and resulting in a heart-warming tale of cultural identity and the lack of it.
Boaz Yakin’s Aviva is an experience not just in the crafting of relationships, but what goes on behind the scenes.
While it attempts to be timely and relevant, throwing jabs at a questionable leader, it leans on cheap humor and shallow narrative constructions.
Luke Parker recently had the pleasure of speaking with Norm Lewis about his experiences working on Da 5 Bloods, Spike Lee’s new film.
Da 5 Bloods is the first great Black Vietnam film, not just the first. It’s a movie whose modern envelope minces empathy and excitement within the unsung sacrifice of the African American soldier.
Despite the awkward execution, pacing, and acting, Turnover wonderfully underlines real friendship and the perseverance of the human spirit.
On paper, HBO’s newest comedy Run looks like the perfect romance fantasy. But in the end, Run feels more like a failed attempt.
The idea seemed like the perfect match up. Unfortunately, Tommaso does not live up to the expectation.
Nancy Kelly’s Thousand Pieces of Gold is a subtly brilliant revisionist western replete with period atmosphere and an original story.
Shirley, as a story, can be unpacked in layers and layers and layers. It’s elegantly built and complex in its structure.
The buoyant mood of Kate Nash: Underestimate the Girl makes the documentary a joyous, inspirational ninety minutes.
While not shooting very high, The High Note is light, charming, and filled with all around winning performances.
This hilarious and poignant high school comedy is the perfect anecdote to soothe those quarantine woes and celebrate the arrival of summer.
There is so much going on in The Accompanist that none of the elements ever really come together to form a cohesive story.
In Shawn Cauthen’s Netflix vs. the World, we witness the rise of Netflix from a fledgling startup to a producer of original content that wins Academy Awards.