United States
Kiss The Future is a glimmer of what the world can be when we are one – united by the communal goodness and beauty of art.
No Way Up still retains the entertainment factor, no matter its predictability and overarching absurdity.
The investment of Bleeding Love sneaks up on you delivering a deeply cathartic conclusion.
The world is bedazzled by everything Taylor Swift does, and in the wake of Barbenheimer and event cinema being a defining feature of 2023.
Durkin’s moving, muscular tale will astound and captivate you, and is unlikely to leave a dry eye in the house. The Iron Claw is a spectacular triumph.
For this Horrific Inquiry we take a look at 2010’s vampiric Let Me In.
With his fourth feature film Love and Work, Pete Ohs has proven himself a master of creating unique screen stories with remarkably little on-screen frills
Float loses much of its authenticity and charm in the lackluster filler and predictability, drowning with no chance of rescue.
While Gothika may not have stood the test of time, or have the most plausible horror narrative, it delivers an eerie watch.
A multilayered depiction, Good Grief delivers on what its title promises and audiences will find they are richer in experience for it.
Horror films have trained us to expect the final girl, but Funny Games does not acknowledge this hope and desire for survival.
An effective and vitally relevant piece of cinema, Eternal You is both a display of hope and caution that we all need to hear.
CRATER, a sci-fi kids’ movie that was scrubbed from Disney+, wastes the talents of its young cast, especially Mckenna Grace.
Which Brings Me To You is a heartwarming romantic comedy that strives to reach beyond the simplicity of love matches and mishaps.
Hitting both high and low notes, Mean Girls retains the core heart of the original, all while modernizing itself for a new generation.