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Thankfully, strong cast and fan following go along way to make Angel Has Fallen enjoyable despite its director’s shortcomings.
The Death of Dick Long might easily be the most bizarre film of the year, but it’s also one of the funniest.
Burn is a stand-off between undeniable indie individualism and psycho-thriller, without a true path.
The Fanatic, directed by Fred Durst and starring John Travolta and Devon Sawa, is campy, a bit ill-spirited at times, but I still couldn’t turn it off.
Dark and gritty, Joker is a pressure cooker of emotional abuse that is just ticking, ready to blow at every minute.
While Ad Astra is no doubt visually stimulating, ultimately Gray’s film is a meandering lifeless existential entity that overly emphasises on simplicity.
Where’d You Go, Bernadette feels remarkably lacking in passion from those involved, save Cate Blanchett.
Sadly, Ecco fails to deliver good writing and a visual instinct to its audience, loosing trust and the ability to keep them interested.
It’s absurd and outrageous, and although sometimes that doesn’t work in favor of the jokes, Good Boys triumphs as a sweet coming-of-age story.
At once a period piece and a coming-of-age odyssey wrapped around a bizarre narrative about an antiquated medical treatment, The Mountain is Alverson’s finest film.
Although an interesting snapshot of a mysterious figure, Unmasking Jihadi John lacks enough insight into either Emwazi or ISIS to make it a comprehensive guide on either topic.
Confused about its target audience, Angry Birds 2 fails to deliver the jokes or storyline bringing lttle more than a playlist and a star studded cast.
The Day Shall Come is a dark, biting commentary on systemic racism of law enforcement and the weird Kafkaesque nature of the War on Terror.
Documenting the universal process of death is no easy task, but Alternate Endings find the perfect balance between exploration, education, and empathy.
Read our review of Nicholas Ray’s genre-defying, low budget gem On Dangerous Ground now streaming on the Criterion Channel.