Universal Pictures
While those looking for genuine chills should certainly seek them elsewhere, this movie is batting at a surprisingly high level.
“Migration” doesn’t soar to new animated heights, but it knows where to find the best spots worth visiting.
The only real scare is that given Five Nights at Freddy’s runaway success, the sequel it so brazenly teases at its conclusion will certainly come to be.
Known as Universal’s “Super Jewel” of 1923, “The Hunchback of Notre Dame” was a smash hit, catapulting Lon Chaney to full-star status.
It has been 90 years since the release of The Invisible Man and much of the film holds true in spite of its age.
“Renfield” manages to find fun in its vampire premise and sink its fangs deep enough to appreciate a Nicolas Cage Dracula picture.
The first 90 minutes of David Gordon Green’s Halloween Ends easily outweigh most of the films that have come before it.
This is the column that digs into the science fiction lover’s world, tackling some of…
The final installment of the World trilogy, Jurassic Park Dominion breaks through with more dinosaurs and a mixed bag for audiences.
As a whole though, Dracula balances out as a brilliant classic of an early introduction to sound films and early horror inductions.
The Mummy remains a classic staple of horror and the mummy genre, transforming itself to immortality of cinematic history.
David Gordon Green’s sequel to Halloween, Halloween Kills, is an aggravating, unnecessary, and horribly misguided feature.
Under the Volcano chronicles the life of “Fifth Beatle” Sir George Martin’s secret recording studio in the Caribbean.
Despite a strong first half, Old, the latest nightmare from M. Night Shyamalan, quickly falls apart in the second half.
Looking back on Chris and Paul Weitz’s 2002 comedy About a Boy, one can’t help but find a perfect pandemic watch.
