Vince Vaughn
Arkansas is beautifully constructed and represents its subject in every solitary element.
In Arkansas, two guys live by the orders of a drug kingpin named Frog, whom they’ve never met. But when a deal goes horribly wrong, the consequences are deadly.
For all of its admirable intentions, the film’s flimsy storytelling does a disservice to Seberg’s legacy.
In Dragged Across Concrete, two overzealous cops get suspended from the force; they must delve into the criminal underworld to get their just due.
Anchored by three brilliant central performances, Dragged Across Concrete is an interesting, unpredictable movie that zigs when we expect it to zag.
S. Craig Zahler’s loyal cult following will find much to love with Dragged Across Concrete, although first time viewers will find it a difficult watch.
Director S. Craig Mahler follows up Bone Tomahawk with Brawl In Cell Block 99, an unflinchingly violent and truly original revenge thriller.
What helps to distinguish Hacksaw Ridge is that, at its core, it is a film that attempts to combine the seemingly contradictory qualities of pacifism and the violence associated with patriotism.
Unfinished Business was something of a surprise to hear about, but the combination of Vince Vaughn, Tom Wilkinson and Dave Franco was enough to convince me that it might be worth a shot. Coming across as a clichéd but entertaining story of down on their luck business men on a European jaunt, I expected some impressive improvisational comedy from Vaughn, some gravitas from Wilkinson, and maybe something worthy of note from Dave Franco (who was great in Now You See Me). But, as we all know, expectations are a dangerous thing.
