war
Japanese master filmmaker Nobuhiko Obayashi’s final movie Labyrinth of Cinema is a love-song to movies and a reckoning with Japanese history.
After all the attention and commitment to the story, Waiting for the Barbarians leaves viewers without a solid and satisfying payoff.
It is an unapologetically quirky indie with a big heart and some very valid points to make about the insidiousness of fascism.
If you’re looking for a light, breezy movie to tide you over for a couple hours, Summerland will hit the spot.
Father Soldier Son offers you the opportunity to see why people join the Army rather than padding the film with patriotism or criticism.
The Painted Bird is a brutal film, yet, if you can stay to the end, you will find a film deeply rooted in the need to keep pushing forward.
Greyhound passes by as a monotonous series of skirmishes that never feel that threatening, even when boats are exploding around them.
1979’s Apocalypse Now has achieved an almost cult-like status, and no war film has captured the depravity of war the same way since.
Luke Parker recently had the pleasure of speaking with Norm Lewis about his experiences working on Da 5 Bloods, Spike Lee’s new film.
Da 5 Bloods is the first great Black Vietnam film, not just the first. It’s a movie whose modern envelope minces empathy and excitement within the unsung sacrifice of the African American soldier.
We revisit the film Max, a controversial WWII film from 2002 starring John Cusack.
Resistance is a film that struggles to find its footing, though Eisenberg is always there to break its fall – for better or worse.
We look back at David Ayer’s 2014 war film Fury, and the deeper themes of anger mixed with sadness expressed throughout.
Flicker Alley’s new two-disc Blu-ray release of The Bolshevik Trilogy is a quality set that provides an ample education on the art of film and the act of rebellion.
Even with the brilliance of Faran Tahir’s believable portrayal of a broken villain, I Am Fear flaws weigh heavy, even in the final moments.