Aquarius is a powerful character study about a woman fighting back against vulnerabilities, anchored by a fine performance from Sônia Braga.
Writer/director Sarah Adina Smith and star Rami Malek inspect the trustworthiness of the human mind in BUSTER’S MAL HEART.
Gene Fallaize, director of horror feature ‘Cain Hill’ gives us some insight on what post-production typically looks like for a film!
Gorgeous black and white look aside, Six Rounds proves too underwhelming in the screenplay and character departments to be a true knockout.
Wasted characters, little humor, and lackluster action scenes make CHiPs a rather bland adaptation of the famous TV series.
Asian actors make up 1.3% of leading roles in films and it’s painful to see opportunities for us to be on screen given to white actors who are deemed better than us.
Lowriders is directed by Ricardo de Montreuil and stars Demián Bichir, Gabriel Chavarria, Theo Rossi and Eva Longoria.
A true millennial romance, Scott Pilgrim Vs The World is a great action comedy with an insightful look at teen culture.
Ghost in the Shell is full of visual splendor, yet ultimately lacks the originality or prowess of the original Japanese anime film.
High concept on paper, in reality, Mine turns out to be convoluted and utterly confused about the story it is telling, ending up feeling more like a Michael Bay film on a shoestring budget.
War Machine is Netflix’s potentially unpopular war satire, taking jabs at America’s strategy in Afghanistan while troops are still fighting.
Logan serves up the classic Western anti-hero in the realm of a dystopia, spinning the myth around while also keeping its machismo intact.
Song to Song brings A-game performances and an was aesthetically pleasing look, all that was missing was a strong plot.
Salt and Fire is an alluringly ambiguous environmental thriller by Werner Herzog, featuring purposefully stilted and brilliant performances.
Here Alone is a survival story in a zombie apocalypse, but its story struggles to survive against the great zombie films that precede it.