The Other Ripken is a short but sweet documentary about Billy Ripken, a little-known baseball player who played for the Baltimore Orioles.
Jasper Jones, Rachel Perkins’ sweet coming-of-age story about racism in a rural town, is one of the best Australian films of recent years.
At times brimming with invention and at other moments leaving you confused as to who this is for, Nine Lives doesn’t fully deliver.
Going in Style from Zach Braff is a forgettable film that stumbles through genres while seemingly wasting its timeless cast.
The Lovers flips the divorce narrative on its head in an overdue take on modern relationships. Watch the trailer.
Join us in our challenge to watch only female-directed films for an entire week, and find out how hard that actually is.
Gifted is grounded and gritty, on a mission to make you laugh, make you cry, make you root for the good guys while booing for the bad.
Though inspired by the erotic thrillers of the ’90s, Bad Girl ultimately fails to do anything original or exciting with its material.
Chuck once boxed Muhammad Ali, but he still handles a parent-teacher conference like a bull in a china shop. Check out the trailer.
Reservoir Dogs, though seemingly a time capsule due to having premiered 25 years ago, is actually quite potent in today’s post-truth world.
As one of his final curtain calls, Limelight is a sterling reminder of Charlie Chaplin’s contributions to culture and the art of cinema.
Wilson is as gleefully profane and heart-wrenchingly tragic film, that lives up to its creator’s legacy as a storyteller.
It’s become the norm to watch bad movies to make fun of bad movies, but why don’t watch them just because they’re a ton of fun?
Like all Godzilla films, Shin Godzilla criticises how governments respond to disasters – but in this film, it’s not nuclear, but natural disaster.
It’s no fun to criticise an aspiring filmmaker’s low budget passion project- but when the result is as misguided as Quarries, it’s necessary.
