When Tom Cruise asks you to trust him one last time, it’s hard to say…
Pink Narcissus is a film that is of creative and inspirational importance, a literal relic of possibility in the realm of the visual image.
If there’s anything we’ve learned from movies and television, it’s that a beautiful locale is never quite what it seems.
A sprawling story, Caught by the Tides epitomizes what makes Jia Zhangke one of our most essential contemporary filmmakers.
Hung Up on a Dream is one of the better musical biographies I’ve seen in some time, and it’s because the story at its core is burgeoning with creative vibrancy, fraternity, and a joyous love of music.
Despite its curious premise, however, Absolute Dominion appears to pull every punch and kick it throws.
“Love Hotel,” a 1985 pinku film, stands as a funny little curiosity in the larger filmography of Shinji Sômai.
Film Inquiry spoke with the writer, director and star of GREEK MOTHERS NEVER DIE: Rachel Suissa.
Aesthetically pleasing but ultimately frustrating, Desert of Namibia fails to resonate despite Kawai’s substantial star power.
Film inquiry spoke with the wonderfully talented actor Kevin Durand for Clown in a Cornfield!
Just in time for Mother’s Day, Greek Mothers Never Die is a sweet film with enough humor and heartfelt moments for mother and daughter alike.
If you’re looking to change up your popcorn flick pick, Yadang: The Snitch has action, humor, and a plot that keeps you thinking.
Going Down, an Australian cult classic delights in spreading graffiti and pixie dust all over Sydney’s post-punk scene.
Based on the novel by Bernhard Aichner, the show is back with more thrills, more action, and more bodies.
Sinners is a beautiful celebration of black culture and art, as well as a story of redemption, trauma, guilt, and racism.