The Stranger is visually stunning, well-acted, and rich with the heady atmosphere one gleans from the pages, but still leaves you wanting more.
It ain’t SXSW if we’re not getting our horror and action comedies. This year is no different, as we get some of the most unhinged headliners to date.
Home Delivery offers a warm, often funny, and occasionally uneven experience that wears its heart openly.
Caroline Golum’s sophomore feature boasts a highly stylized, homespun aesthetic that is guaranteed to charm you.
There are a lot of different kinds of love, and whether it be familial or romantic, it never comes easy. We take a look at two such films at SXSW:
This year SXSW did it again and selected some of the weirdest, wackiest, and most laid-back comedies.
These three SXSW titles shook up the status quo and took (mostly) unexpected turns to create something exciting.
Two of the films at SXSW this year were about the high school experience and the way art can transform and heal.
Inventive, edgy, and ultimately unforgettable, Grind & Drag are coming through with the big SXSW vibes.
Palestine ’36 is an important film despite its imperfections—mainly, its valiant attempts to do and say a little too much for one movie.
This is a column about films by or about Palestinians. But why write about Palestinian…
Judit Polgár is one of the greatest chess players of all time. In 1991, she…
Film Inquiry got to sit down with writer‑director Megan Rico, co‑director Kade Atwood, and stars Adi Madden Cabrera and McKenna Tuckett to discuss Edie Arnold is a Loser.
Ajike Owens should still be alive. The mother of four was shot by her neighbor…
Since the original Toy Story premiered back in 1995, Pixar has been one of the…