Acid Test has its moments of realistic, memorable coming-of-age storytelling even if the film’s stories don’t always blend.
Fear and paranoia are the perfect catalysts for mass panic in Natalia Sinelnikova’s We Might As Well Be Dead.
Lightyear may not offer the same emotional depth or richness as other Pixar titles, but it knows it never needed to be that.
The Stepfather is not the knock-out it wants to be, yet there is a horror within its framework and excellent lead performance.
Despite its humorous undertones, Christos Nikou’s Apples can’t overcome a frustratingly muted and opaque style.
In Sophie Hyde’s Good Luck To You, Leo Grande, the stigma surrounding sexuality and age are examined and pushed.
Irene Taylor’s documentary Leave No Trace looks at the dark side of the Boy Scouts of America, which allowed the abuse of countless boys.
Cynthia Lowen’s Battleground dives into the realities of an America at war with women’s reproductive rights.
A skilled Comanche warrior protects her tribe from a highly evolved alien predator that hunts humans for sport.
In her first report from Tribeca Film Festival 2022, Kristy Strouse reviews Family Dinner, Huesera & A Wounded Fawn!
At the 2022 Tribeca Film Festival, Patrick Bresnan and Ivete Lucas’ Naked Gardens delves into a secluded nudist colony in Florida.
Hong Sang-soo’s third feature, “Virgin Stripped Bare by Her Bachelors,” was also his last film to be made from a full script.
Ray Ramano makes his directorial debut with Somewhere In Queens, a comedy-drama about an Italian-American family.
Goodbye, Petruska navigates the turbulent experience of challenging reality with ambition to deliver something one can be truly proud of.