Horrific Inquiry looks back on Sleepaway Camp, one of the most successful independent films ever made, and its societal lens on young women.
The Boy Behind the Door boasts some incredible shots, framing marrying with its lighting, crafting intrigue, and lasting impressions.
A couple deals with the aftermath of an adoption that goes awry as their household falls apart.
While it might feel out of touch with reality, it’s in the more personal aspects of his story that it manages to keep itself from falling off the deep end.
Following a series of unexplained crimes, a father is reunited with the son who has been missing for 10 years.
Despite a strong first half, Old, the latest nightmare from M. Night Shyamalan, quickly falls apart in the second half.
This week, Hunter Heilman joins Jesse to discuss the highs and lows of director M. Night Shyamalan.
Slow and overall boring, Till Death only slightly leans into the intensity and intrigue it promises.
In this episode, we talk with Bob Cram, Jr., author and illustrator, about his love of Grosse Pointe Blank.
J.C. Calciano’s Is It Just Me? is a gay romantic-comedy of chat rooms, miscommunication and false identity.
Fear Street Part Three: 1666, the third part of a trilogy, ties everything perfectly back to the first two films.
Cryptozookeepers try to capture a dream-eating hybrid creature of legend, and start wondering if they should display these beasts or keep them hidden.
A creative exploration of the legacy of Moholy-Nagy, an artist who never became a household name and yet whose life’s work is nonetheless ever-present.
On it’s 25th anniversary, Orson Welles’ oeuvre The Stranger towers over the thrillers with which it’s so often been unfairly bundled over the years.
In the No Time To Die Countdown, Jake Tropila takes a look at A View to a Kill, the final James Bond film starring Roger Moore.