Our friends at Seed & Spark are featuring everything from an animated documentary to a romantic comedy for the month of November.
Let Him Go is both a period piece — though set in the 1950s, not the Old West — and also a tale pregnant with grief.
A young woman with a plan to propose to her girlfriend while at her family’s annual holiday party discovers she hasn’t yet come out to her parents.
Despite this film’s boundless originality, one is left with more of a sense of respect for what was attempted than of enjoyment of what resulted.
On this episode of Blindspots, Kristy and Jake discuss a pair of films that offer a great deal of domestic drama and filial affection.
To support a high school girl who wants to bring her girlfriend to the prom a group of self-obsessed theater stars go to a small conservative Indiana town.
Director Jacqui Morris tries to escape the staleness of adaptating of A Christmas Carol by presenting the story as a modern dance dreamscape.
Angelique Sabrina White and Jack Shulruff both spoke exclusively with Film Inquiry’s Jim Dixon about their latest film Roommate Wanted.
Reflecting on the festival’s conclusion, we want to shine a light on some hidden gems that deserve to be on the independent film lover’s radar.
Chick Fight never takes advantage of the premise it was trying to flesh out, and loses any feminist credibility it could have had.
This week, Jesse and Film Inquiry Editor in Chief Kristy Strouse dive into the career of director Sofia Coppola.
A lone scientist in the Arctic races to contact a crew of astronauts returning home to a mysterious global catastrophe.
Cindy Sibilsky interviews actress Juliet Landau for A Place Among the Dead, her feature film directorial debut.
André Øvredal’s Mortal is a mature and sober take on the superhero origin story, favoring emotional conflict over physical conflict.