On a very Spooktacular episode of Blindspots, Jake and Kristy discuss not two, but four horror movies to celebrate the Halloween season!
Tensions rise when trailblazing blues singer Ma Rainey and her band gather at a recording studio in Chicago in 1927.
While many would probably have appreciated a more robust exploration of his musical career, there’s also a deeply human message at the core.
The originality of I Blame Society is an exquisite example of how quickly the thin line between reality and art can blur.
City So Real, Steve James’ five-part documentary miniseries, is a stunning, panoramic view of an America in transition.
What Do You Have to Loose takes a deep look into how the results of the 2016 election came to be from the view point of racial discrimination.
Jennifer Sheridan talks to Film Inquiry about directing her scriptwriter, working in the snow, and designing a vampire.
Symbiopsychotaxiplasm stands in homage to the unanticipated and the experimental, unraveling the form of cinema and documentary.
Neither horrific nor revelatory, The Last Exorcist brings little new to the well-trod table despite its best of intentions.
Trump Card is exhausting and potentially lobotomising, especially if you are watching it out of curiosity.
This week, Jesse is joined by Film Inquiry staff writer Andrew Young to discuss the recent remake of “Rebecca,” now available to watch on Netflix.
New parents Adrienne and Matteo are forced to reckon with trauma amidst their troubled relationship.
Hannibal Rising poses the question about what kinds of monsters we make of ourselves by settling for the aesthetics of political virtue.
Despite its lack of focus and structural issues, there is much to merit in Radium Girls.
Bizzarre and eccentric, Kajillionaire is a tender and moving story about love and our needs for connection.