Sean Fallon brings us some of the highlights from the Melbourne International Film Festival.
Wilson Kwong spoke with McConnell during the 2020 Fantasia Film Festival, where he was just as honest and transparent as he was in his remarkable film.
Heightened by its mirroring of current events, The Hall is an incredibly exhilarating ride you won’t want to get off of.
A very human story everyone can relate to, Nail in the Coffin is a strong, documentary with a very big heart and a very bloody mouth.
Conviction is an intriguing and compelling real life crime story reflecting on the corruption currently being exposed in the American justice system.
The Mandalorian delivered audiences and filmmakers a visual effects breakthrough. And because of it, visual effects are likely changing forever.
Wilson Kwong had the chance to speak with director Bao Tran about his latest film The Paper Tigers and his unique journey as an independent filmmaker.
All things considered, A Mermaid in Paris is simply a joyful exploration of being a believer, in whatever context you choose to sew that thought into.
With Erik Nelson’s most recent documentary, Apocalypse ’45 is both a commemoration and an elegy that refuses to choose sides.
The film is inspired by the life of British paleontologist Mary Anning and centers on a romantic relationship between Anning and Charlotte Murchison.
Earth Girls Are Easy manages to both subvert and give in to the conventions of its time, so singularly absurd and campy that you can’t not enjoy it.
Alex Lines spoke with director David Osit abut his documentary Mayor, his approach to shooting the city of Ramallah and more!
Racism is not — and has never been, I might add — a laughing matter. But it doesn’t mean that addressing it using comedy is an impossible thing to do.
Even when things get very strange, Charlie Kaufman’s I’m Thinking of Ending Things will always find a way to hook you in and never let go.
For this Roundtable the Film Inquiry team discuss their favorite trilogies.