Alex Lines had the chance to talk with co-director Justin Feltman about his documentary Hamtramck, screening at Melbourne Documentary Film Festival.
While The White Storm 2: Drug Lords is an entertaining piece of filmmaking, it just fails to engage in a way that its premise would have suggested.
The Film Inquiry team gets together for a casual roundtable – this week we discuss our favorite film scores and soundtracks.
The Fathering Project turns passion into poetry in the pursuit of finding what it means to be a father in today’s society.
Musanna Ahmed takes a look at a few recent Bollywood releases, all released digitally during the pandemic: Choked, Bulbbul and Gulabo Sitabo.
We spoke with Gavin Rothery, the director of Archive, which explores new territory in sci-fi themes like memory, humanity, loss, and fear of replacement.
Despite a potentially fun premise, Elvis from Outer Space does not quite capture the B-movie joy it appears to be chasing.
Dark demands patience and provoked tempting reflection on fate, it’s final season feeling organic and giving the send-off it deserves.
An immigrant worker falls into a vat of pickles and is brined for 100 years, awakening to realize he hasn’t aged.
Chasing Dream has a lot of the trademark technical and narrative notes that seem fitting of a To-helmed Milkyway Image production.
The Beach House has all the makings of a home run, but the execution leaves viewers checking their watches.
Alex Lines spoke for director Natalie Erika James about her directorial debut Relic, the process of co-writing the script and influences.
With a a compelling, chemistry-driven narrative, Palms Springs is refreshing take on the time loop genre and one of the year’s best comedies.
Ghosts of War follows five battle-hardened American soldiers assigned to hold a French Chateau near the end of World War II.
In a deeper look, Relic is a film that will leave you speechless, enamored with the visual showcase you have just witnessed.