With The Other Lamb, Malgorzata Szumowska gives us a fresh perspective on the topic that proves to be just as challenging as it is wickedly absorbing.
Under small town scrutiny, a withdrawn farmer’s daughter forges an intimate friendship with a worldly but reckless new girl in 1960s Oklahoma.
Paris is Burning (1990), Angel (1937) and Trapped (1949) received new home video releases, let’s take a look.
We spoke with Drake Doremus, director of Endings, Beginnings, about the process of the film, what inspires him, and how he’s keeping busy during these strange times.
Trolls World Tour finds a few of the right notes to pluck from its candy-coated guitar that it’s less likely to induce a headache than most manic animated features.
The finale of Devs is a strong one, bringing together all of the show’s more prominent themes and storylines and ending on a bittersweet note.
We spoke with Boots Riley about the 2012, 2018 and 2020 editions of the Sorry to Bother You Soundtracks, and touched on the synergy between music and film.
Filmed with such a raw, visceral style and nothing less than totally compelling, The Virtues is some of Shane Meadows’ best work.
In the penultimate episode of The Plot Against America, David Simon and Ed Burns continue to display their mastery of film craft, leaving no stone unturned, and no character blameless.
The 3-D Film Archive and Flicker Alley deserve credit for bringing these films back into the spotlight, where they can be seen by those who will appreciate them.
In Extraction, a fearless black market mercenary embarks on the most deadly extraction of his career when he’s enlisted to rescue the kidnapped son of an imprisoned crime lord.
Why is there an ironic romanticism around doomed romance? What is the reason for this redefining shift within the genre?
“Designated Driver” was as compelling as any episode this season of Homeland, despite the flaws. But where do things go from here?
Query is charming and thoughtful short film, and a refreshing take on an important conversation we should all be having more.
While it might sound dense and only appealing to a niche demographic, Ghani’s immersive record is a curiosity that will satisfy any inquiring cinematic mind.