Harley Quinn is both entertaining, insightful and inspiring, and opens doors to great possibilities for DC Comics animation.
The London Human Rights Watch Film Festival will be presented from 12 to 20 March 2020, featuring empowering documentaries and dramas celebrating courageous people.
Stakes are suddenly higher than they’ve ever been, in Homeland’s latest outing: “Chalk One Up”.
The Wild Goose Lake’s glaring missteps aren’t enough to sink the film and its overall affect, which remains consistent and engaging throughout.
In our final review from Sundance 2020, Janet Lee reviews MinarI, a film that brings an honest story of family, love, selfishness, and humility.
What should have been a sun-soaked blockbuster, Fantasy Island leaves us feeling shamelessly entertained and frustratingly ripped-off.
Yalda, A Night For Forgivness is a solidly crafted a socially conscious film while making some truly bold cinematic choices.
In his first report from Fantastic Film Festival Australia 2020, Matthew Singleton reviews Saint Maud and A Serial Killer’s Guide to Life!
After Midnight shows much potential in its early-goings, which makes the lack of a satisfying follow-through all the more disappointing.
The Times of Bill Cunningham would serve better as an extras-feature on a Blu-Ray than as the stand-alone documentary it is.
Even with the brilliance of Faran Tahir’s believable portrayal of a broken villain, I Am Fear flaws weigh heavy, even in the final moments.
It’s Onward and downwards for Pixar, as their Dungeons and Dragons inspired latest is one of their most disposable efforts to date.
Run This Town tells the story of an emerging political scandal in Toronto in 2013 seen through the eyes of young staffers at city hall and a local newspaper.
While Narcos: Mexico is a slightly different beast to its predecessor, it stays close to its roots, providing an incredibly stylish and engaging story with plenty of flair.
We were able to speak with Valerie Martinez, the writer and producer of Death of Nintendo.