While it could have taken more risks, season one of Locke & Key gives us a feasible starting point for what could be a flourishing new fantasy series.
Kristy Strouse was able to catch a couple Slamdance 2020 films, Big Fur and Tahara, and both were wildly different, but equally compelling.
VFW is dumb fun, but unfortunately not nearly as much as the description would make it sound.
Lara Jean Covey is back and more relationship trouble is ahead for her, but the sequel feels like a missed opportunity. Maria Lattila reviews.
We spoke with Fantastic Film Festival Australia festival director Hudson Sowada, about how he got involved with the festival, and some of his personal picks from the program.
The Patient Man is a well-constructed thriller which deserves to be seen not only on the strengths of its convictions, but also for what it aims to achieve.
Colorful, funny, and filled with great performances, Sonic The Hedgehog is a surprisingly above-average video game adaptation.
There are definitely moments in The Photograph that briefly feel like the Valentine’s Day treat it should be. But ultimately, it falls flat.
David Lowery’s The Green Knight is a fantasy re-telling of the medieval story of Sir Gawain and the Green Knight.
Musanna Ahmed takes a look at some of Bollywood’s recent releases, such as Ghost Stories, Chhapaak and Panga!
Episode 6 of The Outsider is a step in the right direction, the intoxicating dread and craft continue to permeate the show’s structure.
Sundance docs Bloody Nose, Empty Pockets and Acasa, My Home both investigate what happens when the only thing you’ve known to be your life and home suddenly gets stripped away.
Ahead of Fantastic Film Festival Australia’s February 20th launch date, Alex Lines previews two of its most eclectic entries: Nobadi from Germany and Diner from Japan.
Growing up outside of the US, Sean Fallon reflects on learning about the empathetic Mr Rogers through Marielle Heller’s acclaimed film.
What Love Looks Like brings very little to the table in terms of originality or likeability. You’ve seen it all before, done better, and in more captivating ways and with better acting.