The Leftovers is a very deep series series, one that is introspective and personal. It’s subversive, unrelenting, and keeps you on your toes.
Regarding Billy is the kind of movie you watch if you enjoy formulaic holiday films, but you’d like your Hallmark cheese with a dash of gay.
Ed Perkins’ documentary Tell Me Who I Am is an experience that’s both remarkable and powerful.
Frozen 2 is a perfectly fine sequel. It features gorgeous animation, but the story lacks the magic of the first one. Maria Lattila reviews.
Muslim teenager Hala copes with the unraveling of her family as she comes into her own.
Shawn Glinis takes a look at the new Blu-ray releases of Whirlpool (1949), Time Without Pity (1957) and Charlie Chaplin’s The Circus (1928).
“The Gift” of Johnny Cash is how he brings us into his struggles, into his journey, and lets us be a part of it with him.
Watchmen has hit a little under the halfway point, the pins are being set up and knocked down at the bat of an eye, and it just keeps getting more and more clever every week.
Like the novel that came before it, Watchmen elaborates on its characters’ futures vs their pasts in ways only the author can imagine.
Entering Disney+ as its flagship series, The Mandalorian takes place in between Return Of The…
Unfortunately, our hero has fallen victim to the sophomore slump; Jack Ryan has made a lackluster return to our screens for season 2.
An unvarnished character study of an unexpected abuser and the havoc her actions cause, Queen of Hearts is one of the most emotionally draining films this year.
In his latest report from Monster Fest 2019, Alex Lines reviews the 1994 restored Tammy and the T-Rex and directorial debut Come to Daddy.
In her latest report from the Austin Film Festival, Kristy Strouse spoke with Bret and Drew T. Pierce about their film The Wretched.
In our current political climate, A German Youth teaches a history lesson worth repeating.