if Abominable is any indication that Dreamworks is eager to reinvent their brand, bright things could be ahead for this powerhouse studio.
Jack Godwin takes a look at the portrayal of mental illness in anime film The End of Evangelion.
Gemini Man smears a lot of fancy tech all over an empty and tiresome thriller.
My Zoe goes beyond expectations by delving into the emotional ruins of conflicting morality with such perfection, and proves Julie Delpy to be a truly remarkable filmmaker.
Kristen Stewart surrenders fully to the character, embodying Jean Seberg to an almost unearthly effect.
A coming-of-age film which strives for irreverent authenticity, Our Ladies ends up clunky, a little cringey and uninspired.
More reviews from LFF 2019, including the directorial debuts Babyteeth and Calm with Horses, as well as Olivier Assayas’ Wasp Network.
As a collection of history’s worst tyrants and criminal masterminds gather to plot a war to wipe out millions, one man must race against time to stop them.
Greta Gerwig and Noah Baumbach’s Frances Ha perfectly represents the complexities of your 20s. Read why the film is such an accurate portrait.
With a return to its roots, AHS 1984 is stronger than it has been in a long time, delivering the horror and the entertainment of genre films of the past.
We spoke with director Kevin McMullin, whose film Low Tide hit theaters last Friday to inject the fall frenzy with a reminder of summers by the beach.
Find whatever long-forgotten, critically-panned even, piece of your childhood that made you who you are today. Find that movie.Find your Happy Feet.
Not only does White Riot present a compelling case of why the fight against racism isn’t over, it makes you want to join in.
The remake of Jacob’s Ladder is a simplistic but overly convoluted horror with no thrills and spills.
In Primal, Nicolas Cage plays a big game hunter for zoos and private collectors. On his ship back to the U.S., a war criminal escapes from his cell and releases the animals on board.