As poetic as its title, The Body Remembers When the World Broke Open cannot be understated for its power and must not be erased from the conversation.
Somewhere in the passable 90-minute In the Tall Grass is an hour long short that’s riveting, tense, and short enough to not overstay its welcome.
Season 5 of Peaky Blinders brings as many twists and turns as the previous seasons – and it just keeps getting better and better.
From October 4th to 6th, inside Melbourne’s wonderful Cinema Nova, the inaugural MQFF eXtra took place, highlighting some of the best LGBTQ films from around the world.
More reviews from this year’s London Film Festival, including Bad Education, The Painted Bird, Rocks and Vivarium.
Though executed gracefully, Bored in the U.S.A.’s characters lack the chemistry needed to have us stay invested in their journey.
Between Two Ferns: The Movie is a unique type of performance with unique humour crafts a unique type of film.
Sátántangó is the kind of film that so few filmmakers have the opportunity to make, and even fewer are given the chance to have them shown and cared for so widely.
We spoke with Academy Award-nominated short filmmaker Ruairi Robinson about his new, Lovecraft-inspired short, Corporate Monster.
In this delightfully strange suburban comedy by sketch veterans Jocelyn DeBoer and Dawn Luebbe, adults…
Philophobia is a film where words are meant to have stories unto their own with connotations and nuggets of meaning buried within.
Harley Quinn joins superheroes Black Canary, Huntress and Renee Montoya to save a young girl from an evil crime lord.
Ever since its Palme d’Or winning debut at Cannes, Parasite has been accumulating buzz like…
After the Wedding wants nothing more than to be a tearjerker, but the emotions run cold and the twists are all for show.
Bree Duwyn covers the second half of the first season of Carnival Row, in which the show’s writing increased in quality.