With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
We spoke with Oscar winning director DeWitt Sage about the 30th anniversary of his film Distant Harmony: Pavarotti in China.
When Barry Jenkins makes a movie, he composes an elegy for the sweet life that almost happens. An overview of Jenkins’ work thus far.
Random Acts of Violence forces the audience to confront their own enjoyment at watching others’ pain
Prolific British writer-director William Nicholson’s Hope Gap is a charming, yet altogether bleak portrayal of a…
Three films. Three different languages. From NYFF, Kevin Lee reviews Sybil, Beanpole and Saturday Fiction.
In David Fontana’s final report from TIFF 2019, he covers Judy, The Personal History of David Copperfield and Sound of Metal.
Alex Arabian spoke with actor Richard Kind about his new film Auggie, acting in comedy and drama, returning to Curb Your Enthusiasm next season and more.
In this New York Film Festival report, Kevin Lee reviews I Was At Home, But, The Whistlers and To The Ends of the Earth.
Overall, Downton Abbey’s worth as a film depends on your feelings towards the original show.
Sonatine, Takeshi Kitano’s riff off the Yakuza genre, helped him gain an audience outside of his native Japan. Read our review to learn more.
Ága shows how native practices of conservation, sustainable living, and a deep and respectful connection to the land is all but withering away in the face of our technological acceleration.
Groupers isn’t perfect, and it certainly isn’t a mainstream product for the masses, but it has its merits.
The Last Tree isn’t perfect, but it’s an honest and insightful coming of age story that deserves to find an audience.
In Dark Waters, a corporate defense attorney takes on an environmental lawsuit against a chemical company that exposes a lengthy history of pollution.