At Canne’s 2024, Film Inquiry reviews Quentin Dupieux’s The Second Act (Le Deuxieme Acte), and Rungano Nyoni’s On Becoming a Guinea Fowl.
A chance meeting with a neurosurgeon sparks a connection but Lily begins to see sides of him that remind her of her parents’ relationship.
Furiosa: A Mad Max Saga, is a prime example of how to craft a narrative expansion that ignites a creative spark worthy of praise.
An architect wants to rebuild New York City as a utopia following a devastating disaster.
Film Inquiry spoke with director Lee Thongkham for the film Kitty the Killer!
After two decades as one of the most beloved and enduring musicals on the stage, Wicked makes its long-awaited journey to the big screen.
With I Saw the TV Glow, Jane Schoenbrun stakes their claim as the preeminent chronicler of those specific horrors inherent in coming of age as a millennial.
Even with as slow and frustrating as the first half of it was, New Life was still a fun watch.
Hundreds of Beavers is a comedic masterpiece, delivering non-stop hysterical sight gags, formal ingenuity, and cathartic woodland violence.
Finally getting to witness Spider-Man 2 gives me a newfound appreciation for my peers and this communal experience.
Curl Power has a deep awareness of the bonds of sisterhood that exist between the girls, yet is clever enough to also understand their individuality.
There is a deep love that carries through the devastation, Train to Busan delivers what movies are all about.
The Beast is about a man beset with loneliness and fears of a fatalistic event likened to an unseen beast haunting him.
Limbo is a fish-out-of-water tale in a barren Outback town.
Femme is both mean and tender, displaying how sexuality and secrets can keep ones real self in violent confrontation with one’s masked self.