Rocketman is a musical fantasy about the uncensored human story of Elton John’s breakthrough years.
Between last year’s successful Bohemian Rhapsody and the upcoming Rocketman, music biopics seem to be all the current rage in Hollywood.
In Avatar, a quadriplegic regains his motor skills by connecting to an alien body. In real life, we’re looking at exosuits and bioelectric medicine. Welcome to the future.
Bradley Cooper’s take on A Star is Born is more than a tragic love story: it’s a powerful depiction of being the person next to an addict.
2nd Class accomplishes a lot in its brief runtime as it touches on some thought-provoking questions that will linger in the mind afterward without coming off as preachy or one-sided in its portrayal.
Finding Steve McQueen, a fact-based heist movie, marks a distinct change of direction for writer/director Mark Steven Johnson. We spoke with him.
Her Smell never overstays its welcome, thanks to a stellar ensemble, Alex Ross Perry’s solid script, and Elisabeth Moss’s powerhouse performance.
While it’s an indication that the final episode is drawing closer, the end is nigh for Shadowhunters, and it was never as apparent as in “Original Sin”.
In this latest recap, Alex Arabian looks back on episodes 10-15 of The CW’s The Flash.
We highlight the 2019 Human Rights Watch Film Festival international line-up of films promising to offer critical insight into local and global human rights concerns.
The cinematic depictions of Ancient Greek tales can often get lost in translation through the generations – here’s our handy guide to the best and worst.
These two award winning films illustrate how cinema can either reinforce or dismantle traditional understandings of colonialism and the Age of Exploration.
Whether you opt for the subtitled version or not, one thing is for certain: Babylon is a hidden gem worth seeking out if it comes to your city.
Love it or hate it, Captain Marvel gives an empowering ethos, secured with a talented cast that makes this movie-going experience on par with previous entries.
This Australian horror has languished in obscurity for years, but a new restoration by Second Sight should make it the genre classic it deserves to be.