In our sixth report from the 2019 Sundance Film Festival, we cover Clemency, The Souvenir and Light From Light.
A haphazard concoction of cliches with a sugary sweet coating, Berlin, I Love You lacks any of the qualities that make the titular city so special.
Polar is as by-the-book as an action film can be, and that book isn’t even a very interesting one.
Dan Gilroy has stepped out of his comfort zone with satirical horror Velvet Buzzsaw – and the results are mixed, to say the least.
For Kristy Strouse’s first report from Sundance, she was able to experience VR projects, in addition to speaking with one of an exhibit’s creators.
Piercing is an absolutely weird, kinky, stylish film that might not be to everyone’s taste; it is guaranteed to thrill some filmgoers and offend some others.
Soni, as a gritty realist portrait, feels fresh and unique – both in it’s portrayal of Kalpana and Soni and its technical achievements.
Video Dispatches is a regular digest of recent home video releases, usually from boutique and restorative labels. Here, we discuss Marwencol, Waterworld, and a trio of Iranian films.
Dynamic turns from its two stars and an intriguing relationship at its core makes Nina watchable, if occasionaly frustrating elsewhere.
In our fifth report from the 2019 Sundance Film Festival, we cover Apollo 11, Ms. Purple, Always in Season and The Disappearance of My Mother.
My next report from Sundance 2019 finds the festival really hitting its stride. An artsy…
Throughout Charlie Kaufman’s stellar career, he’s analysed ideas and worries that every audience member will be familiar with.
We spoke with Robert Schwartzman about his new film The Unicorn, how he crafts a story, improvising with comedic cast, growing up as a Coppola, and more!
The Quake repeats a lot of the same beats from The Wave, assuming it’ll be another sure-fire success – but it leads to a mild case of sequelitis.
Our next report from Sundance includes a drama set in San Francisco, a biopic about Ted Bundy, and a documentary about LARPing.