Patrick takes a currently successful formula and twists it into an unbearably cutesy mess, created for shallow monetary gain from an indifferent public.
Glass may have been a film nineteen years in the making, but it feels superfluous and incredibly out of touch in a world littered with superhero films.
Close is frustratingly shallow, and in its breakneck pace leaves some of its character development in the dust, while trying to wring every bit of emotion out of its quieter moments.
We spoke with director Melissa B. Miller Costanzo about her new film All These Small Moments, and what inspired her to create this unique adolescent drama.
The conclusion to the animated trilogy, Godzilla: The Planet Eater, is as flawed and unsatisfying as the previous entries – and it might be the dullest of the bunch too.
In Everybody Knows, a woman returns to her hometown with her two children to attend her sister’s wedding. However, the trip is upset by unexpected events that bring secrets into the open.
Adult Life Skills is a poignant examination of a young woman whose growth has been stunted by grief, carried by Jodie Whittaker’s charming performance.
While there was not much of a setup for the second half of the season, there is a feeling that things are about to get seriously shaken up in Riverdale as fans fear the loss of a favorite.
An Acceptable Loss opens with a big, burning question mark that hooks you, but rather than answering its core moral question, it simplifies the conversation.
For the 20th Annual Animated Show of Shows, 15 animated films were selected, curated to form this captivating showcase – with three currently on the shortlist for the 2019 Oscar Animated Shorts Nominations.