Again, Supergirl has never shied away from staying topical and overtly political, and Season 4 is no different.
The Story of Roger Ailes may be straightforward and a bit lacking in stylistic direction, but it’s a rather necessary look at one man’s life to help understand today’s politics.
Welcome to Marwen is an unfortunately shallow endeavor, with trite dialogue and a saccahrine portrait of very serious issues.
As if to reject beauty’s notoriously food-phobic reputation once and for all, Dumplin’ is pure visual comfort food.
We take a look at the sexualisation of the women in Mad Max: Fury Road and Thelma & Louise, two feminist films – not to vilify, but to offer insight into their subliminal messaging.
The Riverdale mid-season finale has arrived, leaving the future of Riverdale and its inhabitants terrifyingly uncertain.
Episode 10 brings Whittaker’s first Doctor Who season to a close, and after her first series of expeditions, it is clear that the writers have struggled to balance a female Doctor.
Kidman and Kusama work impeccably together in Destroyer to create an anti-heroine who can shoulder the weight of a familiar genre while rarely giving in to easy tropes.
In Where’d You Go, Bernadette, a 15-year-old’s mother goes missing, and she does everything she can to track her down, discovering her troubled past in the process.
In this beginner’s guide we look back at the career of director Joe Dante, focusing mostly on his iconic 1980s hits.
We take a retrospective look at Ingmar Bergman’s The Serpent’s Egg, which many view as a misfire from the director, but could be seen more favorably through another light.
The Holiday is expertly crafted wish fulfillment of the highest level, exhibiting the very best of what can be gleaned from such an unabashedly feel-good genre.
Pick of the Litter is a sweet and simple film about animals that doesn’t place any of them in peril – so it’s pretty much a winner.
As anime becomes increasingly mainstream in the west, Film Inquiry’s Christina Tucker examines the past and potential future of the genre.
Tarkovsky’s Ivan’s Childhood, perhaps more than any other film, shows the complexities of dreams, here shown through the eyes of a childhood experiencing the trauma of war.