Alfonso Cuarón’s Roma chronicles a year in the life of a middle-class family in Mexico City in the early 1970s.
In this first edition of She Looks Back, we take a moment to look back at the Hitchc*ck inspired Last Embrace from director John Demme – a film that deserves a second look.
Australian comedy Book Week provides an intriguing look at a man in peril and examines the place of literature in a contemporary context.
Led by a sheepish Daisy Ridley performance, Ophelia, a revisionist take on Hamlet, doesn’t have the feminist credentials it thinks it does.
The New Romantic is a classic example of a normal, maladjusted person trying to be everything they’re not by pushing themselves outside of their comfort zone.
The unbelieveable true story of Shirkers offers a bittersweet end to a decades long saga in the life of independent filmmaker Sandi Tan.
In celebration of Noirvember, we present to you a list of 15 underrated classic noirs from the 1940s.
The life story of activist Nadia Murad is told in On Her Shoulders with a lack of sensationalism, focusing more on her cause than the tragedy.
Was The Grinch necessary? Absolutely not. Sure, there’s some filler. Sure, there’s some cringe. But the quantity of them was not enough to impinge.
“Demons of the Punjab” takes us on a trip down a secret memory lane, as Yaz uncovers her grandmother’s hidden past, and the Doctor comes up against some assassin alien invaders.
In the spring of 2016, Embrace of the Serpent, “[Y]oung people, when they see this…
In The LEGO Movie 2, the citizens are facing a huge new threat: LEGO DUPLO® invaders from outer space, wrecking everything faster than they can rebuild.
The 1990 version of Captain America fails as both an interesting superhero movie and how to make an entertaining one.
Riverdale potentially has another murderer on the loose, hidden beneath a new hood – lurking the woods and the halls of Riverdale High.
Transformer tells a touching story of the human spirit so moving, it’ll feel like a weight off your own shoulders while watching.