If you’re a fan or a newbie or just someone looking for a bloodbath of an action movie, move The Night Comes for Us to the very, very top of your list.
We spoke with Chicago International Film Festival Artistic Director, Mimi Plauché, about her experiences as artistic director and working in Chicago.
Stolen Daughters: Kidnapped By Boko Haram, directed and co-produced by Gemma Atwal, explores the history if abducted girls and the continued presence of Boko Haram in Nigeria.
What makes Nigerian Prince stand apart from the cavalcade of other crime thrillers cribbed straight out of the Guy Ritchie handbook is its Nigerian setting.
What They Had is an honest snapshot of a family during crisis, in all its inevitably chaotic shades – it’s exactly what you’d hope a movie about Alzheimer’s would be.
We spoke with Erica Rose & Chelsea Moore, the creators of Sour Peach Films, about both their company and their new short called Girl Talk.
Two for Joy is desperate and demanding, but it offers something which is rarely allowed in films which depict poverty. – it offers hope.
At the fourth San Francisco Dinner with Dames, Cinefemme gathered a group of women filmmakers to dine with Kathleen Grace, CEO of New Form Digital.
London Fields feels like it’s trying to accomplish too much, and as a result, accomplishes very little.
Boy Erased is a sturdy drama with some touching moments and strong performances, enhanced by much-needed glimpses of dramatic sensitivity within the confines of a tough story.
In his final Film Fest 919 recap, Josh Martin delves into Jake Gyllenhaal’s latest, a challenging take on the Western and the most delightful film of the festival.
Our report from Chicago International Film Festival, with reviews of, among others, Friedkin Uncut, In the Aisles, and Father the Flame.
In Miss Bala, a woman finds a power she never knew she had when she is drawn into a dangerous world of cross-border crime.
We spoke with Richard Todd about the difficult process of making his emotionally stirring documentary about organ donation, Dying To Live.
Richard Todd’s Dying to Live is a sincere portrait of the state of Australian organ donation, a weirdly taboo topic with the highest of stakes.