Gaspar Noé is back with a controversial film – this is the trailer for his latest, CLIMAX, starring Sofia Boutella.
Zac Hestand takes a look back at the comic movie classic Batman Returns and how its overload of villains spawned an industry standard.
We were able to talk with the great Paul Schrader, director and writer of the upcoming film First Reformed, out on May 18th.
Overboard takes the basic structure of the original film and gives it a modern update, with Eugenio Derbez and Anna Faris both giving enjoyable and endearing performances while not losing all the screwball charm of the original.
It may sound like exploitative torture porn, but Revenge introduces director Coralie Fargeat as a filmmaker worth your attention – taking problematic genre tropes and subverting them into a vital, exhilarating feminist film.
Desperate to win the tournament and the cash prize, Dax stumbles upon the man, the myth, the legend UNCLE DREW (NBA All-Star Kyrie Irving) and convinces him to return to the court one more time.
In our latest Away From the Hype, we examine The Blair Witch Project, seeing if the classic found footage horror still holds up after all this time.
Compared to other teen classics that have covered the same ground before, The Kissing Booth comes across as amateurish – and a tiny bit problematic.
On Cannes days 5 & 6, Gus Edgar saw a variety of films, including Gaspar Noe’s Climax, Mandy, and Spike Lee’s latest BlacKKKlansman.
Much like Neil Breen’s current filmography, the horribly-titled The Trough definitely has cult movie potential if it ever hits the underground festival circuit.
In BOOK CLUB, four lifelong friends (Diane Keaton, Jane Fonda, Candice Bergen & Mary Steenburgen) have their lives forever changed after reading 50 Shades of Grey in their monthly book club.
We take a look at a number of films that have helped paved the way for genuine change in social systems, legislation and policies.
Orbiter 9 recalls independently minded sci-fi films such as Sunshine and Moon – but lives in the shadow of its very obvious inspirations.
Stephanie Archer reports on her time during the 2018 Tribeca Film Festival and the red carpet photos and interviews she had the opportunity to be a part of.
With a severe lack of thrills and a shortchanged main character, Breaking In fails in nearly every regard.