In Crazy Rich Asians, three wealthy Chinese families prepare for the wedding of the year.
Arlin Golden had the opportunity to speak with directors Julie Cohen & Betsy West, who created the beautiful biopic of the “Notorious RBG”, Supreme Court Justice Ruth Bader Ginsburg.
This belated sequel to Gnomeo and Juliet poorly attempts to expand the cinematic universe – and merely exposes the poor storytelling within.
Lee Jutton reviews three documentaries from all over the world: Tanzania Transit directed by Jeroen van Velzen, Studio 54 by Matt Tyrnauer and Kaiser: The Greatest Footballer Never to Play Football by Louis Myles.
Thanks to the funny and occasionally moving performances of Gould and Clement and a confident feature film debut from Hoffman, Humor Me qualifies as a passable entry into the midlife crisis sub-genre.
In The Dark, a flesh-eating young girl haunts the woods where she was murdered, as a murderer herself. When she discovers an abused kid inside the trunk of a car, her decision to let the boy live throws her existence into upheaval.
From Forbidden Planet to Frogs, there’s nothing like a good ole sci-fi/horror picture. But among all my beloved flicks, Killer Klowns From Outer Space reigns supreme; it also happens to be this film’s 30th anniversary.
Kristy Strouse covers some of the short films she saw at the Tribeca short film programs, and two television pilots, Fabled and Driver Ed.
From the 2018 Tribeca Film Festival, Kristy Strouse reviews Alia Shawkat’s new film Duck Butter, the film starring Taika Waititi as a cult leader, Seven Stages To Achieve Eternal Bliss By Passing Through The Gateway Chosen By The Holy Storsh and the Martin Freeman zombie vehicle, Cargo.
Redoutable is an irreverent take on the biopic that gleefully flips the bird at its subject, and takes delight in making him conform to a conventional narrative of the type he grew to detest leading to some of the finest moments of cringe comedy in recent memory.
Tom Hardy returns to the superhero genre with Venom, exploring the strange psychology of a symbiote and all the fun enhancements that come with it.
In this Tribeca Film Festival Round-up, Stephanie Archer looks at the films she saw that found that dominated their central focus and inspiration in oppression, fear and freedom.
Stephanie Archer explores the live action short films that played at Tribeca Film Festival!
Kristy Strouse explored some of the VR experiences on offer at Tribeca Film Festival; here are her reviews of: Campfire Creepers: Midnight March, The Dinner Party, Biidaaban and Into the Now.
In this all new Staff Inquiry, the Film Inquiry writers discuss their favorite coming-of-age films!