Terminal follows two assassins with a sinister mission, a fatally ill teacher, an enigmatic janitor and a waitress with a double life. Murderous consequences unravel as their lives meet at the hands of a criminal mastermind wanting revenge.
We sat down with documentary producers Yvonne Huff Lee and Jason Delane Lee of the Lagralane Group and chatted about their journey into film finance, their favorite past productions, what they have coming up next.
Though with timely themes of inappropriate romance and sexuality, Submission sadly lacks the insight and perspective to become a movie that represents “now.”
It was absolutely inspiring to see so much strong female content at SXSW Conference and Festivals, and Family, the debut feature by Laura Steinel, was no exception.
Despite An Ordinary Man’s ultra slow pace, it contains a superb score, Silberings’s minimalistic story and grand direction, and Kingsley and Hilmar’s respective tour-de-forces, sharpening in tuning slowly towards a gripping climax.
In First Reformed, a former military chaplain is wracked by grief over the death of his son. Mary is a member of his church whose husband, a radical environmentalist, commits suicide, setting the plot in motion.
The Coming-of-Age film typically follows the story of confused, lonely and lost teens searching for their own identity as they weave their way through adolescence. In this Beginner’s Guide, we look back at some of the best examples of teen self discovery.
There are such a vast number of planes to appreciate Rear Window on and one…
Prepare to be charmed by Peter Lataster and Petra Lataster-Czisch’s documentary Miss Kiet’s Children, a heartwarming ode to the power of education, and the reality of the refugee crisis on European shores.
While tiptoeing on the line of empowering and exploitative, Flower is an unconventional teen film for a new generation that finds its true strength in in its leading lady Zoey Deutch.
For this Staff Inquiry, we examine the films that make us cry, with examples ranging from the personal to overall moving manifestations of life’s struggles.
Using almost an entirely autistic cast, Keep the Change is a groundbreaking, intimate portrait that humanizes and explores a vast array of people living with Autism.
Paddy Considine’s long-awaited second film in the director’s chair is an emotionally manipulative disappointment, that has replaced the grit of his debut with a stale, maudlin predictability.
A young orphan named Lewis Barnavelt aids his magical uncle in locating a clock with the power to bring about the end of the world.
Susan Walters’ All I wish offers a minimally interesting story, but serves up some fine performances from Sharon Stone, Ellen Burstyn, Liza Lapira, Tony Goldwyn, and Gilles Marini.