Les Gardiennes is another gracefully-directed film by Beauvois, and it gifts the audience with another perfect arrangement from Legrand, three gripping performances from Smet, Bay, and Bry, and plenty of eye-catching imagery to make up for its lagging pace.
Sorry To Bother You is an intelligent, batshit crazy satire that offers plenty of the theater of the absurd, a standout performance from Lakeith Stanfield, the most original script of the past two years, and plenty of laughs and food for thought.
Matthew Roe explores the Dogme 95 movement, arguing that it shows the boundaries of the human psyche, creativity and sociopolitical climate more effectively than any other movement of its time.
Tully is a return to form for both director Jason Reitman and screenwriter Diablo Cody, with this “hipster Mary Poppins” tale feeling like a thematic sequel to their beloved Juno.
Field Guide to Evil will likely please genre aficionados and horror buffs, but on the whole, its lack of tonal cohesion will leave others underwhelmed.
Appropriately and beautifully shot on 35mm celluloid by Raso, Kodachrome is a touching, hilarious, and contemplative gem of a film with three wildly meritorious performances by Harris, Sudeikis, and Olsen, and timely themes.
In American Animals, four young men mistake their lives for a movie and attempt one of the most audacious heists in U.S. history.
We spoke with the writer/director of AN ORDINARY MAN, Brad Silberling, about his daring script, directing Ben Kingsley, working in Serbia and more!
A trio of staggering performances by Hawke, Seyfried, and Cedric the Entertainer, a gripping story that mines our current sociopolitical landscape for philosophical fodder, and typically formidable writing make First Reformed a mandatory watch for everyone.
Bolstered by the quiet compassion that has always been her strong suit, Lynn Shelton has turned in another stunning independent feature with Outside In that no one who enjoys the quieter side of life should miss.
Andy Nyman and Jeremy Dyson’s adaptation of their hit stage play Ghost Stories is a serviceable British horror – but with so many recent gems in the genre, is being “serviceable” enough to justify its existence?
Birthmarked is a comedy struggling with an identity crisis. Maybe that’s the point, or was more nurturing required?
We were able to talk with Bel Powley about her experiences in acting and about her role in the upcoming werewolf horror film Wildling.
Assuming cinema etiquette is still alive, the loudest sound that can be heard among A Quiet Place’s audience will be their own semi-breathing.
With the help of Theron and Davis’ magnetic chemistry, Cody and Reitman’s synergy, and an intricate yet touching story about motherhood, Tully perfectly blends comedy and drama, creating a powerful, tender meditation on societal stigmas.