Waiting for The Light to Change is a snapshot of Gen-Zers and the anxieties of the times.
Ultimately, Top: Gun Maverick preserves the atmosphere of a timeless era and places it in the modern-day, harnessing an infectious energy.
Kristy Strouse spoke with Christian Sparkes for his film The King Tide, along with its two stars!
Stories about college professors are popular at this year’s Toronto International Film Festival, with both Hit Man and Dream Scenario being examples.
Killers of the Flower Moon isn’t just a historical tale but a profound and subtle commentary on history, humanity, and the power of storytelling.
With a simple premise but endless complexity, Monster sees Hirokazu Kore-eda’s compassion and empathy presented at such a masterful level.
Unfortunately, every single second that came before the ending in Alice & Jack was terrible.
Youth (Spring)’s 3-plus hour length is not only necessary, but an absolute gift to sit through.
A Haunting in Venice is a new direction, going for something more creepily claustrophobic, but doesn’t quite nail the landing.
This week, Jesse recaps his visit to the 2023 Toronto International Film Festival!
The 2021 Bafta-nominated short film Femme from Sam H. Freeman and Ng Choon Ping is now a feature, premiering at several film festivals.
Capturing the beauty of everyday life, Here is a beautiful exploration of humanity and our quest for understanding.
While Blue is the Warmest Color was universally lauded, the film drew controversy over its graphic sex scenes and intense directorial methods.
Arthur must enlist the help of his half-brother Orm to protect Atlantis against Black Manta, who has unleashed a devastating weapon.
For this Toronto International Film Festival, Wilson Kwong reviews the Critic and Humanist Vampire Seeking Consenting Suicidal Person.