An Oscar worthy documentary, Dina is an entertaining film unique in its portrayal of the people behind the autism label.
You Were Never Really Here is a rare film that is conclusive proof that a great director can elevate familiar source material.
The ensemble may be the only thing of interest in The Ritual, which is otherwise riddled with clichés and saddled with an uninspired story.
With a large age gap between the two romantic leads in I LOVE YOU, DADDY, it remains to be seen if Louis CK has gone full Woody Allen on us.
Magic Mike XXL is a film that, while fun and sexy, also doesn’t shy away from greater themes like religious symbolism and imagery.
If nothing else, Te Ata triumphs at breathing new life into a legend, and allowing us the pleasure of re-experiencing her vital legacy.
No Dress Code Required is a politically charged but impressively intimate look at one gay couple’s fight for the right to marry.
Despite a strong premise, The Unraveling is a film that doesn’t quite go to that dark place that it should, with poor writing and acting.
I, Tonya stars Margot Robbie as figure skater Tonya Harding, who allegedly plotted an attack on her competitor to win the Olympics in 1994.
Every year, between five to ten movies are bestowed the honor of being nominated by…
Tao Raspuli’s Monogamish asks the viewer to challenge their own pre-conceptions on relationships, with an effective, non-judgemental eye.
Despite big, loud, planet destroying special effects, Geostorm still ends up feeling like a dull, tired excuse for a blockbuster.
The skillful assembly of wondrous never-before-seen footage makes Jane the definitive tribute to the icon’s life and work.
In this in-depth analysis of Julia Ducournau’s Raw, Sophia touches on themes of sexuality, biblical references, and BDSM, among others.
Brad’s Status is a film about social media that is bolstered by its performances, but ultimately it is not particularly memorable.