Film Inquiry spoke with composer Michael Abels for his newest film, Landscape With Invisible Hand!
With an emotional family-focused core and some unique visual flourishes, Blue Beetle is surpisingly memorable.
King Coal is a rare work of art that manages to look forward precisely by looking backward.
Beginning on August 10, 2023, this year’s HollyShorts kicked off with quite a start.
Strays is a mess of limited ideas, mined from the inebriated story idea, “What if a typical dog movie had more profanity and poop?”.
Unspooled like a true crime tale, Satan Wants You writes an origin story for this salacious, sensationalist phenomenon.
Amongst the horrors, dramas and animation, the festival never forgets to laugh.
I Like Movies manages to strum all the right cords in a truly unique celebration of cinema itself.
From demonic possessions to haunted polaroids, from motherhood to neocolonialism, the HollyShorts horror section has a taste of it all.
The Last Voyage of the Demeter turns in a light Dracula voyage too bound by its stock itinerary to sail into more adventurous waters.
ENTER FOR A CHANCE TO WIN AN ENTER THE DRAGON DIGITAL MOVIE!
Madeleine Collins proves that Virginie Efira belongs to that elite tier of actresses capable of elevating even the most mediocre material.
The Latest Podcast #137: Remembering William Friedkin, André Øvredal on ‘Last Voyage of the Demeter’
This week, Jesse talks with filmmaker André Øvredal about his high seas vampire picture The Last Voyage of the Demeter.
While nowhere near as successful as the Conjuring franchise in popularity or quality, The Haunting in Connecticut proves itself entertaining.
King On Screen is one hell of a trip down Stephen King cinema memory lane.