Sketch comedy challenges the audience and explores unconventional ideas; this pushes directors to bring this mindset into feature films.
As a coming-of-age tale, Liza, Liza, Skies Are Grey is inoffensive, as a reminiscence of the Cold War years, it’s inert, as a whole it’s completely inconsequential.
In Megan Freels Johnston’s The Ice Cream Truck, sweet treats and sugary snacks are traded for bloodshed and suburban violence.
More Than a Word discusses and explores the Washington football team’s controversial name, casting new light on a longstanding issue.
James Franco and co are making a film about how cult favorite film The Room was actually made, and it’s called The Disaster Artist.
We were able to sit down and talk with Francis Lee, director of the acclaimed upcoming British drama God’s Own Country.
Although filled with flaws, this charming mini-sequel, Red Nose Day Actually is hard to criticise due to its good, charitable intentions.
Chronically Metropolitan is a quirky romantic indie about life in New York City; though not perfect, it’s reasonably enjoyable.
In this 2nd report, Alex Lines reviews 12 of the films he saw at Melbourne International Film Festival; among them Lemon, Lucky and Insyriated.
The Tiger Hunter is an upcoming comedy about Sami Malik, a young Indian man trying to live up to his father’s legacy in 1970s Chicago.
With effective sound design and plenty of earned scares, Annabelle: Creation is another successful entry in the continuing Conjuring saga.
The Incredible Jessica James has an infectious charm to it, bolstered by Williams’ strong lead performance and a positive central message.
Ying & Yang is empowering and heartbreaking, giving a window into the messed up mind of a man deciding his own fate.
The Passion of Augustine offers glimpses into life before womanhood sets in and all the growing pains that come with this journey.
Ready Player One may not be everyone’s pop culture holy grail, but to ’80s and early ’90s kids, this will hit all your nostalgia buttons.