Dark Blue Girl is a cautionary tale for parenthood that reminds us that no one has control over who their child will become.
Devoid of any subtlety and bereft of a strong plot, the fact that a film so reductive as Blind was made this recently is quite shocking.
The Sabbatical isn’t your typical midlife crisis film – it is highly unpredictable in the best sense of the word.
The neon-bathed sci-fi/horror movie Flatliners is getting a sequel 30 years later, but you’ll be forgiven for thinking this is a remake.
If done right, a Grand Theft Auto adaptation would be thrilling, hilarious, and could be one of the most ambitious adaptations ever produced.
Basically, Despicable Me 3 is a lackluster reworking of what worked in the previous films, with more jokes and less heart.
A deeply touching film about sexuality, Between The Shades opens the door to seeing LGBTQ+ people as exactly what they are. Human.
Love at First Child offers nothing new in the romantic comedy genre, but some laughs and chemistry between the leads make it a pleasant watch.
In this installment of Take Two, Robb Sheppard reconsiders David Lynch’s Mulholland Drive after a less-than-satisfying first viewing.
Abraham Lincoln: Vampire Hunter shocks and surprises as it makes you think twice about Lincoln’s true identity.
Spider-Man: Homecoming is a refreshingly comedic and lighthearted superhero film, but it doesn’t quite work as part of a larger universe.
Whitney: Can I Be Me focuses more on the context and hidden traumas of Whitney’s life than the music itself, but that’s no bad thing.
The kids aren’t alright in the trailer for Step, a documentary following a group of high school seniors in inner-city Baltimore.
The Silent Hill movie was a fun movie with its own story, while still holding onto a level of faithfulness from the video games.
Good Fortune tells the rags to riches story of billionaire John Paul DeJoria, and how he dedicates his time and funds to good causes.