We had the chance to speak with director Matt Schrader about the making of his upcoming documentary Score: A Film Music Documentary, a film any film nerd should see.
In Alain Desrochers’ Security, A security guard works to protect a woman who is being targeted by a gang for being a trial witness.
Movie sequels come in many flavors and forms; here is a rough categorization of seven different types that have developed through the years.
We were able to talk with Martha Williams, the creator of a web series called Run For Your Life, dealing with the subject of modern dating.
In part due to overly pushy satirical agenda and an awkward performance from Brad Pitt, War Machine is a failed attempt at a modern war film.
Ana Lily Amirpour continues to play with genre material in The Bad Batch, setting her sophomore film in a Mad Max-style wasteland soaked in violence and sex.
The quietly consistent career of Cillian Murphy, is one that has seen him become a sure-fire presence in British and American cinema.
Told in reverse order, Shimmer Lake is a fresh take on a murder mystery, and also sports some fine performances from usually comedic actors.
Using archival footage and interviews, Score: A Film Music Documentary is an inspired look at one of the most elusive art forms today.
What Happened to Monday? is an upcoming sci fi film to be released by Netflix and stars Noomi Rapace and Willem Dafoe.
Colossal is unflinching in presenting the dangers of toxic masculinity and patterns of abuse in a way very few recent American films have been, lately or ever.
Rainy Kerwin’s debut film The Wedding Invitation is a well done romantic comedy with a strong story executed by a strong female cast.
Though with a fine, understated performance by Marilyn Manson, Let Me Make You a Martyr is too unrelentingly dark and dull to recommend.
Kurt Russell has charmed audiences through the years in a variety of films, from Disney to science fiction to more recent blockbusters.
Albert Brooks’s cult classic Lost in America is not just one of the funniest films of the 1980s, but a subtle examination of perspective, too.