Film Inquiry writer Alistair Ryder sat down and talked with Woody Harrelson about his live one-shot directorial debut, Lost in London.
Filmed live, and in one continuous take, Lost in London is a film that could seem gimmicky, yet succeeds due to its expert comedic timing.
Harold And Lillian: A Hollywood Love Story is a beautiful tribute to two unsung heroes of the film industry and their decades spanning relationship.
Candice Onyeama discusses the importance of her short film Hush to for herself, and about identity and those suffering from mental health.
Stephanie Archer reports on her second day at the Tribeca Film Festival 2017!
In this analysis of 2007 film Lars And The Real Girl, we talk about how Lars’s delusions are very similar to how we find catharsis in film.
The Student is an effective political drama, which satirizes the rough intensity of Russia’s draconian laws in the context of a school.
A Quiet Passion shows us that there is much more to the mythos of Emily Dickinson than meets the eye, and with Davies’ ever-lyrical vision at hand, the end result is the most comprehensive picture of her that we may ever have.
If there’s a secondary hook behind The Little Hours’ raunchy nun premise, it’s certainly its great cast. This is the trailer.
The Fifth Element 20 years later: it’s still the packed with resplendent imagery, inventive art direction, and some well edited set pieces.
In our latest interview, we talk with director Michael McQuown, whose latest work is the anthology horror film The Dark Tapes.
Overstuffed, generic, and with poorly executed CGI action, The Fate of the Furious is nothing more than another franchise crowd-pleaser.
In this episode of the Film Inquiry podcast, Jay & Mike talk upcoming movies, and slowly lose their minds.
In Like Crazy, two women escape from a psychiatric facility for a joyous romp; it’s likely deeper than its trailer suggests.
Stephanie Archer reports on her time during Tribeca Film Festival 2017, red carpet events, interviews, reviews and more!