Miracle on 34th Street is a magical film about believing in Christmas spirit; premiering in 1947, it is still wonderfully enjoyable today.
Miss Hokusai is based on the Japanese manga, and through a series of montages, it tells a powerful story of the struggles of an artist.
I Am Not Your Negro took home audience awards at the Toronto International Film Festival and the Chicago International Film Festival. People are saying that we still have lessons to learn from Baldwin.
We wish everyone very happy holidays and a happy new year – and have some announcements regarding our holiday publishing schedule!
Other People, a semi-autobiographical film based on writer Chris Kelly’s experiences, works in a beautiful way due to the subtext behind it.
Holiday Horrors provide a comforting alternative to the forced gaiety of the season – and Black Christmas is one of the best to watch.
Nolan knows how to stage a spectacle, and the sheer scale of the event of Dunkirk will give him plenty of opportunities to dazzle.
We talked with Katrina Parks about her documentaries about the history of women of the west, and her upcoming film, The Women On The Mother Road.
Office Christmas Party is a glaringly unfunny R-rated comedy, which isn’t even saved by the talented crew in front of and behind the camera.
Opening in theaters this week are Passengers, Assassin’s Creed, Silence, Sing, A Monster Calls, and many more! We’ve compiled the info & trailers.
Teaching English is a physical job and sometimes it is necessary to call on the help of Hollywood to get you through it.
With Hitchc*ck/Truffaut, Kent Jones has created a meticulous and perceptive work in which essay, commentary and conversation overlap, charting the strange synthesis of reverie and technique which constitutes the art of filmmaking.
With action director F. Gary Grey at the wheel and a slew of familiar players from past installments, it seems like Fate Of The Furious is doubling down on what the series does best.
With 2016 ending in cinematic glory, we look back at the widespread success of family films and how they are vital to the cinematic landscape
Nocturnal Animals is Tom Ford’s latest film, presented in lavish and bright neon colors; though it also possesses a hopelessly dark view.