At the second San Francisco Dinner with Dames, Cinefemme gathered a group of women filmmakers to dine with literary manager and partner at Magnet Management.
The view on the 1990s Star Wars prequels is synonymous with hubris, failure, and shoddy filmmaking, that is until Disney came into the picture and changed the image completely with its latest additions to the franchise Rogue One and Solo.
In Films of The New French Extremity, Alexandra West studies French horror films which are known for graphically brutal depictions of sex and violence.
If you’re a fan of film and/or soccer it’s impossible not to find things to like in all of these films, which played at this year’s Soccer Film Festival.
The adventures of Ms. Marvel aka Kamala Khan are already among Marvel’s highest selling comic book properties – and bringing her story to the big screen would not only be a financial success, but a cultural one, too.
Deadpool 2 is the most recent, and to some minds, most egregious, example of a mainstream film figuring out that it can benefit from appearing subversive, without needing to put in the creative work of fulfilling this promise.
Jax Griffin was initially extremely sceptical of the possibilities of virtual reality, but as she explored the VR projects available during the SXSW VR expo and spoke with the creators, she soon changed her mind.
While many found the 2017 release of Blade Runner 2049 to be misogynistic, the perceived sexism within the film may be more than meets the eye as the movie turns out to express anxiety about the past and not the future and an avoidance of human society.