Alex Lines spoke with Warwick Thornton, director of the upcoming Australian film Sweet Country, which has already hit the festival circuit and will be released this year.
The Disaster Artist is a troubling film given the recent allegations against James Franco, especially when we look at one scene in particular when Franco’s Tommy Wiseau abuses his power as a director.
We had the chance to chat with Jess Weixler, star of indie film Entanglement. We discussed what drew her to the project, her interpretation of Jason Filiatrault’s mind-bending script, her process as an actor, and what project she’s currently working on.
It’s been 25 years since Groundhog Day premiered, but its enduring quality lives on. Its humor, tender performances, sincerity, and feel-good ending are just as impactful as the raw existential statement that it provides about how to find true contentment.
We had an opportunity to talk with Lin Oeding, director of the upcoming film Braven starring Jason Momoa, about his experiences directing the film and also his career thus far.
Pleasantville is still relevant 20 years later: In a time where the American Dream is being redefined, Pleasantville tries to tell us that among the chaos and imperfection of this world, you can still find happiness.
We look back at the wonder women of 2017, the women directors and writers who pushed through barriers in the industry, advancing gender equality and making history.
The Last Jedi is a polarizing film, but looking deeper into Rian Johnson’s vision you will find some potent themes, including the failures of masculinity.
Chris Watt spoke with Angie Reza Tures, the director of the Femme Frontera Filmmaker Showcase, a celebration of women filmmakers from the U.S.-Mexico border, which takes place on January 25th in Los Angeles.
The Film Inquiry team counts down their top ten films of 2017, with each writer compiling their own list and describing in further detail their number 1 pick.