Features
Nightcrawler’s Louis Bloom is worthy of our criticism, but it is also easy to overlook how flawed his colleagues (and viewers) truly are.
In the latest of our Take Two series, we reexamine Batman & Robin, the sequel we watched so you don’t have to.
Blade Runner 2049 may be acclaimed by critics and cinephiles alike, but why did the general audience fail to love it as much?
Settings are often so integral to a film that they can become as important as characters themselves; here are five prominent examples.
Animated films often don’t work when translated to live-action; here, we discuss just why that may be, and why it should be avoided.
Basic Instinct is a famous noir thriller by Paul Verhoeven from 1992; here is why it is still both celebrated and reviled today.
We spoke with Lily Mercer, Jamie Anderson & Valerie Grant, 3 of the ISA’s top 25 screenwriters to watch, about their screenwriting endeavors.
Taxi Driver is a complex film in the way it presents a relatable character and then shows the increasingly erratic choices that he makes.
For Dinner With Dames #11, Cinefemme gathered women filmmakers to dine with Rachel Shane, Chief Creative Officer at OddLot Entertainment.
Magic Mike XXL is a film that, while fun and sexy, also doesn’t shy away from greater themes like religious symbolism and imagery.
Every year, between five to ten movies are bestowed the honor of being nominated by…
It’s almost Halloween, so the Film Inquiry writers tell about the films that truly scared them. Even traumatised them.
In this in-depth analysis of the revelations of abuse of women in Hollywood, we consider how we got here, and what we can do.
In the final week at Adelaide Film Festival, Alex Lines recalls some of the films he saw, including documentaries & inspired foreign dramas.
Amir Bar-Lev’s 2007 documentary My Kid Could Paint That isn’t about the real life art world scandal; it’s an exploration of the author’s irrelevancy.