For the 2023 Toronto International Film Festival, Wilson Kong reviews Craig Gillespie’s Dumb Money and Margreth Olin’s Songs of Earth.
The Royal Hotel is at times a tense and engaging thriller with poignant performances, but sometimes its message feels muddled.
Helgeland writes and directs Finestkind with all the right intentions, but it ultimately feels shallow.
At this year’s Melbourne International Film Festival, Sean Fallon reviews Hello Dankness, Biosphere and Art Talent Show!
The short film selection at Melbourne International Film Festival is never less than stellar and this year’s selection didn’t buck the trend.
While thus far, I have delivered my thoughts in the showcases, in my last report, there’s a little bit of everything.
One of the biggest surprises of the 2023 HollyShorts Film Festival was its showcase of Adult Animation.
Beginning on August 10, 2023, this year’s HollyShorts kicked off with quite a start.
Amongst the horrors, dramas and animation, the festival never forgets to laugh.
From demonic possessions to haunted polaroids, from motherhood to neocolonialism, the HollyShorts horror section has a taste of it all.
In this report from NYAFF, Lee Jutton takes a look at Mountain Onion, Nomad and Mountain Woman!
In her latest report from The New York Asian Film Festival, Lee Jutton reviews Bear Man, Kitty the Killer and I Love You, Beksman!
The NY Asian Film Festival provides movie lovers in the tri-state area with a great opportunity to see films across a wide range of genres.
Wilson Kwong dives into two films that are interesting examples of dramatic French cinema with clear commercial appeal.
Fresh Kills is a uniquely compelling piece of work in the pantheon of gangster movies, grounded by powerful performances and a stellar directorial debut.