Film Festivals
Musanna Ahmed looks at four documentaries from this year’s Human Rights Watch Film Festival; The Trial of Ratko Mladić, Roll Red Roll, Esta Todo Bien and Everything Must Fall.
Hearts of Glass is a wonderful documentary that focuses both on food production and people with disabilities, housed within a tiny slice of America.
In his latest dispatch from SXSW, Kevin Lee reviews Darlin’, The Girl on the Third Floor and Snatchers.
Becky Kukla looks at three films playing at this year’s BFI Flare; Tell it to the Blues, Water Makes Us Wet and Tucked.
Pet Sematary, in this critic’s opinion, is a constant battle between excessive production and exceptional performances.
In his latest dispatch from SXSW, Kevin Lee reviews Apollo 11, from director Todd Douglas Miller, and Aquarela, by Victor Kossakovsky.
Yes, God, Yes is a film you’d want to hug, where its authentic nature, lovable lead, and gentle director can win over anybody.
Alex Lines reports back from Alliance Française French Film Festival 2019 where he saw Olivier Assayas’ Non-Fiction – an increasingly rare type of drama.
Good Boys is not for everyone, for it is messy and repetitive in what it’s doing, but it is also exceptionally funny, charming, and thoughtful.
SXSW 2019 featured some excellent horror films, like Us and Little Monsters, but also lesser ones like Tales from the Lodge and Tone-Deaf.
We were able to speak with Gilles Lellouche, director of the sports comedy about synchronized swimming called Sink or Swim.
Be it a gripping thriller or a moving and thought-provoking social commentary, when it comes to documentaries the Glasgow Film Festival has you covered.
Just when I thought coming-of-age fatigue is about to kick in, Booksmart overwhelms with its confident energy and wisdom.
Musanna Ahmed looks at four documentaries from this year’s Human Rights Watch Film Festival; The Cleaners, Bellingcat, Anbessa and The Feeling of Being Watched.
The Art of Self-Defense is not only a must-see, it’s an easy contender for the best film of the year so far.