Film Festivals
The Day Shall Come is so cartoonish that it just doesn’t feel believable or possible, let alone historical fact.
A pleasant surprise, Long Shot is an absolute must-see if you are a fan of Charlize Theron and Seth Rogen.
We spoke to actor Cory Michael Smith about his debut lead role in 1985, which played at the Melbourne Queer Film Festival.
Us embraces puzzling imagery and timing to evoke a sense of interpretative meaning, which leads to personal intimacy with the viewer.
Her Smell never overstays its welcome, thanks to a stellar ensemble, Alex Ross Perry’s solid script, and Elisabeth Moss’s powerhouse performance.
We highlight the 2019 Human Rights Watch Film Festival international line-up of films promising to offer critical insight into local and global human rights concerns.
In our second review from SXSW 2019, Hazem Fahmy reviews The Beach Bum – a fantasy with no real-life application.
After an enormously successful debut with Get Out, Jordan Peele delivers another bold film with Us, and seems to be creating a whole new genre.
We were able to talk with Yen Tan, writer and director of the 1980s-set drama about AIDs called 1985.
At this year’s Sundance Film Festival we sat down with To The Stars director Martha Stephens and leads Liana Liberato and Kara Hayward.
Our editor-in-chief Manon de Reeper was able to attend the Coven Film Festival in San Francisco, a festival devoted to short films made by women.
Inthis report from Sundance Film Festival 2019, we cover The Sunlit Night,Extremely Wicked, Shockingly Evil And Vile and Vile.
We were able to speak with Laure de Clermont-Tonnerre, co-writer and director of the upcoming drama The Mustang, starring Matthias Schoenaerts.
In this report from Sundance 2019, Kristy Strouse covers three films: The Sharks, After the Wedding, and The Mustang.
We spoke with Miranda Tapsell, star and co-writer of the Australian romantic comedy Top End Wedding.