Film Festivals
Our report from Chicago International Film Festival, with reviews of, among others, Friedkin Uncut, In the Aisles, and Father the Flame.
Our latest report from LFF includes a nice mix of crowd pleasers in-waiting, anticipated auteur efforts, and a slew of arthouse discoveries.
For this latest report from Film Fest 919, we into Robert Redford’s final film, the documentary about Orson Welles, and a Hillary Swank-starring drama.
We spoke with Joe Penna, director of the upcoming survival film starring Mads Mikkelsen called Arctic, about shooting in island and his transition from Youtube.
Two reviews of films from the Lavazza Italian Film Festival, Loro by Paolo Sorrentino and Boys Cry, a gangster film from the D’Innocenzo Brothers.
Roma is a film that improves with each passing minute; even though occasionally underwhelming, the longer it lingers in your mind, the more of an impact it will have.
Green Book is cinematic comfort food, equipped with witty performances and the aura of social importance, yet undistinguishable from the tons of other polite Oscar dramas that came before it.
London Film Festival has finally kicked off, and the Film Inquiry team are getting to…
Alex Lines reports on the films he was able to see at the Delphi Bank 25th Greek Film Festival, which celebrates the film movement known as the Greek Weird Wave.
In our first report from Film Fest 919, Josh Martin recounts the nauseating absurdity of Dogman, memorably fascinating Destroyer and Cannes’ Palme d’Or Shoplifters.
With an infectious sense of humor and some wonderfully dynamic performances, The Favourite is a shining example of a filmmaker at the prime of his art.
In our second report from London Film Festival, the Film Inquiry team recounts foreign arthouse films, an experimental effort, and more.
Transit and Diamantino are two films that, though with varying approaches and to varying success, attempt to delve into the political turmoil of our world through their narratives.
In this first report from NYFF, we delve into Jean-Luc Godard’s latest film and an experimental feature from Ming-liang Tsai.
Stephanie Archer rounds up her experiences at 2018 Tribeca TV Festival, including two world premieres and the 10th anniversary of Shark Tank.