Film Festivals
Straight from Tribeca Film Festival, Lee Jutton two films; both are the feature directorial debuts of talented women filmmakers and both center on complicated women trying to come to terms with tragedies in their pasts.
The Party’s Just Beginning isn’t always fun, but it’s definitely a powerful vehicle for the very talented Karen Gillan.
Arlin Golden does a roundup for his second week at San Francisco International Film Festival, including Bo Burnham’s Eighth Grade, Boots Riley’s Sorry to Bother You, lesser-known documentaries, and more.
Field Guide to Evil will likely please genre aficionados and horror buffs, but on the whole, its lack of tonal cohesion will leave others underwhelmed.
In our report of week 1 of San Francisco International Film Festival, we cover films like Generation Wealth, City of Sun, First Reformed, Hal and many more!
Alex Arabian spoke with Jason Sudeikis on the red carpet of upcoming Netflix film Kodachrome at San Francisco International Film Festival, about working with Ed Harris, Elizabeth Olson and director Mark Raso.
We sat down with documentary producers Yvonne Huff Lee and Jason Delane Lee of the Lagralane Group and chatted about their journey into film finance, their favorite past productions, what they have coming up next.
It was absolutely inspiring to see so much strong female content at SXSW Conference and Festivals, and Family, the debut feature by Laura Steinel, was no exception.
We were able to talk with Marja-Lewis Ryan, Samantha Housman and Ross M. Dinerstein, the director and producers of the Netflix drama 6 Balloons.
Relying heavily on the personal over the historical, 1985 is a gripping reminder that the social drama need not be loud and tumultuous for it to be effective.
Most Likely to Murder may not reinvent the wheel of holiday films, but its subversion of the genre, especially its willingness to fully indict and satirize its own protagonist, gives us ample reason to invest interest in the future of director Dan Gregor’s filmography.
The narrative debut of director Miranda Bailey, You Can Choose Your Family, is a misjudged dark comedy that earns enough goodwill through the committed performances from its ensemble.
We spoke with the Jackie van Beek & Madeleine Sami, directors, writers and stars of upcoming New Zealand comedy The Breaker Upperers, about their work together as well as Taika Waititi’s role as a producer on the film.
As the SXSW festival comes to its end, Jax Griffin writes a love note to SXSW and its host city, Austin, Texas. She celebrates the food, the people, and the vibe.
SXSW Review: SORRY TO BOTHER YOU: Boots Riley’s Absurdist, Existential, Surreal, Anti-Capitalist Sci-Fi Masterpiece Of A Debut
It’s hard to describe what Boots Riley’s debut, Sorry To Bother You, is actually about, because it is trippy, all over the place, and absolutely brilliant. You need to see it.