Film Reviews
Violence dehumanizes in many ways. It can do so overtly, presenting you with situations that…
Generic in all the worst ways, Animal Among Us is poorly executed, feeling like a throwback to the worst of mid 2000’s horror.
The Gallows Act II is full of bad jump scares, laughable dialogue and is never very scary. Kevin Lee reviews.
Amanda Mazzillo reviews the latest from the Savannah Film Festival, including Knives Out, Honey Boy, and The Truth.
Earthquake Bird is likely to be but a blip in the filmography of both its stars and director.
Klaus captures the old fashioned wonder of Christmas within the old fashioned splendor of traditional animation.
Between bad dialogue, acting that feels as undeveloped as the characters, and an unfocused story, it’s no wonder Midway feels like a drag.
While the tone, look and disturbing special effects will enthrall audiences in the beginning, Daniel Isn’t Real misses the mark in its third act.
An Elephant Sitting Still exudes so much elegance, frame precision and ingenuity that it is destined to have a place in cinema.
A transformative adaptation, American Son may not be a groundbreaking piece of filmmaking, but that’s not what it was meant to be either.
With the talent both behind the camera and in front of it, one would expect more thank a glorified Hallmark film from Last Christmas.
Charlie’s Angels is an uneven movie, but the joy of watching Stewart, Scott, and Balinska relish the lighthearted fun overpowers any shortcomings.
Ed Perkins’ documentary Tell Me Who I Am is an experience that’s both remarkable and powerful.
Frozen 2 is a perfectly fine sequel. It features gorgeous animation, but the story lacks the magic of the first one. Maria Lattila reviews.
“The Gift” of Johnny Cash is how he brings us into his struggles, into his journey, and lets us be a part of it with him.
