Film Reviews
Only You flips our expectations of a whirlwind cinematic romance to offer a painfully realistic look at the struggle to start a family.
Office Space is a cult classic that still resonates with society today. Joseph Dominguez looks back at this classic 1999 film.
Leto finds a balance between the reality of early rock under a communist regime and the fantasy rockers imagined.
Anna just isn’t quite the fun thrill ride that one might have hoped for, suffering from a disorganized plot, characters devoid of personality, and less-than-stellar action.
Barbara Rubin and the Exploding NY Underground hooks viewers when it vies into a thrilling character study of a multifaceted, increasingly conflicted individual.
Annabelle Comes Home features great performances from its young cast, but the story is more a miss than a hit. Kevin Lee reviews.
Dark is still a time-traveling minefield, provoking characters to coast through time, evolve and alter their original impulses.
Though its most lasting power comes from characters on the fringes, Kid Icarus offers a rich and entertaining perspective on growing up aimless in the American West.
Summer Night is a perfectly sweet film about the hot, hazy nights we’ve all had and can look back to with adoration and nostalgia.
The Oscar-nominated Never Look Away shows signs of promise, but is let down by an epic scale that is never justified. Alistair Ryder reviews.
The Handmaid’s Tale “Household” is redolent with disturbing new discoveries, and plenty of reminders of how dark and dirty the government of Gilead can be.
Kursk is an emotional drama based on real events. Thomas Vinterberg shines a light on the tragedy from within the sea and from the land.
In our second report from Edinburgh International Film Festival we cover Yesterday, Love Type D, Astrounaut and more!
The Dead Don’t Die was a huge disappointment with too many plotlines and characters for both the dead and undead to handle.
Despite a couple of fun, breezy jokes, For Love or Money’s the narrative is neither fresh nor funny enough to be a hit with the romantic comedy crowd.