Film Reviews
Like Miyazaki, Kosaika focuses on growth as a result of loss and ties it with the spiritual and fantasy world in Okko’s Inn.
Straight from Tribeca 2019, Kristy Strouse reviews Two/One, A Day in The Life of America, The Kill Team and spoke the cast and director on the red carpet.
Tell It to the Bees is a pretty dreary period piece, and one that doesn’t sit well in the current landscape of queer cinema.
The Chaperone is a film that’ll be gone by the month’s end, swallowed by the studio system and erased by this year’s loaded summer season.
We were able to speak with Monique Sorgen, writer and director of the independent short film Sorry Not Sorry.
Diamantino is too insufferably quirky to offer any meaningful statement on the socio-political issues it references.
Plus One is a perfectly serviceable and adequate romantic comedy; it has moments that charm and promising performances.
There are many questions left with only two episodes left this season of Riverdale, everything coming together in an intense turn of events.
Where Toy Story found something deeply moving in a tale of toys, UglyDolls comes crashing down with all the moral engagement of a 1980s animated PSA.
There are many questions after “Fear the Reaper”, some I think we may have to wait until Riverdale returns next season to get full answers.
Starfish’s reach might ultimately exceed its grasp, yet the film still succeeds as an immersive, stunningly crafted apocalyptic sci-fi.
Surviving the experience of Queen of Diamons means being rewarded with a film that has more to say with far fewer words than much of independent cinema today.
Kristy Strouse recalls some of the incredible immersive opportunities she was able to experience at the 2019 Tribeca Film Festival.
Hail, Satan? neatly fits in with a series of recent documentaries that do little more than preach to the liberal choir.
Knock Down The House highlights four political pioneers, and provides an intriguing snapshot of post-2016 election America.