Film Reviews
Episode two of Chernobyl ups the scale of the disaster and introduces us to new characters while retaining its slow-burn approach. Jak-Luk Sharp reviews.
Aniara is a gorgeous sci-fi tale, that excels in worldbuilding and making the most of its budget. Brent Goldman reviews.
Like any great anti-hero story, the lead of The Realm knows he’s a bad man, and Sorogoyen makes him go through hell to atone for his sins.
Lee Jutton reflects on two documentaries she was able to see at Tribeca Film Festival, called Changing the Game and A Taste of Sky.
Picture a world where women live in fear of men’s violent outbursts. This all too relevant scenario is where episode 7 of the Twilight Zone reboot begins.
Journeys, both literal and figurative, play a significant role in this very first episode of The Spanish Princess. Katy Kostakis reviews.
The Hustle is a female-driven remake that features two household names – it may look appealing, but don’t let it deceive you – it’s a con job in itself.
In our second Tribeca shorts recap, we review Hook Up 2.0, Westfalia, I Think She Likes You, Peggy, Hard-ish Bodies, Lady Hater and Storm.
The Shade Shepherd is a thumping and garish character venture, made to look and feel alluring, yet ends up inheriting an artistic drive, low on fuel and brisk in speed.
Willem Baptist has crafted a documentary that feels rooted in both avant garde film and the spirit of Polaroid cameras.
Is Pokémon Detective Pikachu a classic telling of the Pokémon journey? No, but is it a welcome glare of personality and hope? Absolutely.
Begging to be experienced, discussed, and remembered, Mosul follows a former CIA counter-terrorism officer documenting a journalist in war-torn Iraq.
The 27 Club is a cheaply made streaming title with little to no thought put into it – there was a seed of an idea here but nobody to tend the garden.
Game of Thrones’ bad writing of Sansa and Brienne and the racially fraught implications of the episode’s ending, make this episode a huge letdown.
From Mexico, to the Midwest to the Bronx, Lee Jutton reviews three wildly different coming-of-age films from this year’s Tribeca Film Festival.