Film Reviews
A Bread Factory may be dispiriting, but it’s a vital reminder to preserve community spaces, and form connections with those who appreciate the arts.
Izzy Gets the Fuck Across Town is a fever pitch of impetuous energy with an extortionate fervor that matches Izzy’s note for note as she embarks on this most-unorthodox road trip.
AMERICAN HORROR STORY: APOCALYPSE (S8E10) “Apocalypse Then”: A High, Octane Finale That Will Satisfy
Heightened by a rapid editing style and an insane body count, “Apocalypse Then” is the intense, high octane finale we have been waiting for.
Mirai may feel more like a series of vignettes thrown together rather than a cohesive whole, but Hosoda’s wondrous animation style, coupled with a personal look at family dynamics, makes it hard to resist.
Anchored by three brilliant central performances, Dragged Across Concrete is an interesting, unpredictable movie that zigs when we expect it to zag.
A Bread Factory is a sprawling epic with an intimate touch, which perfectly articulates why community art spaces are necessary in the modern world.
Director David Gleeson constructs a haunting but picturesque film with Don’t Go, a sci-fi about grief and loss.
Cam may not be the full blooded horror its festival hype suggests, but it’s an involving glance at an online world through an unnerving lens.
Write When You Get Work can be sweet, and there are semblances of earnest intentions, but overall it feels tame.
While the Doctor and her gang save the day once again, “Kerblam!” plays with the subconscious fear of technology in the workplace, and its ability to take on tasks previously carried out by humans.
A slow-burner, The Clovehitch Killer toys with your mind, leaving you to question what you already know to be true.
We look back on the too short career of Sarah Jacobson, who insisted on doing things her own way, and was known for her endless enthusiasm and passion for the arts.
The Last Race is a beautiful documentary that is, able to move between overtly stylized and ethnographic motifs while still remaining a unified piece.
Welcome Home has a melting pot of possibilities, preying on human fear, but much like its local creep, it skulks when it should attack.
Amongst all the madness a moment of love outshines all the revelations and murder, but the final episode of How To Get Away With Murder comes together strongly.