1985 is a miracle of a film, one that pays tribute to an era, a generation past, and a culture that fueled the progress of LGBTQ civil rights for decades to come.
A Prayer Before Dawn boasts a fantastic central performance from Joe Cole, but unfortunately, wastes an astonishing true story in favour of genre cliches.
For sheer distinctiveness of vision, and for the visceral portrayal of how it feels to be bullied, director Deborah Haywood deserves plaudits for Pin Cushion.
The Legacy of a Whitetail Deer Hunter is undeniably a missed opportunity, a film that nails a certain tone and feel without putting all the pieces together.
Ulam leaves your mouth watering for the vibrant flavors but most of all a longing to experience the lively spirit that exists within the Filipino community.
With an engaging but slightly sluggish story, fine acting, and a committed crew, The Catcher Was a Spy mostly succeeds as both a tense espionage film and a biopic.
We were able to talk with Milda Baginskaite and Martha Binns, director and star respectively, of the short sci-fi drama 7 Planets, about the creative decisions for this film, and the experience of making it.
Han Yan’s Animal World is a truly insane but consistently entertaining mishmash of rock paper scissors, bug-eyed aliens, clown assassins and a check-cashing Michael Douglas.
Despite its empowering story, and fine performances by Michael Greyeyes and Jessica Chastain, Woman Walks Ahead is an unfortunately forgettable endeavor.